Milton and the Preaching Arts By Jameela Lares The first book to examine John Milton and his work from the perspective of the 17th Century art of preaching, and how this leads to a wider appreciation of his poetry and prose. ISBN-13: 9780227679647 Specifications: 225x150mm, 368pp, Hardback Price: £50.00 • US$102.50 Publication: May 2001 Order this Title Now

About this Book

This study truly breaks new ground in Milton scholarship by demonstrating the extent to which Milton's work reflects the dominant discourse of his age - preaching.

During the sixteenth and seventeenth centuries, the pulpit consistently commanded greater audiences than did the stage, and many of the era's great poets were also preachers. Milton himself argued that poetry can serve "beside the office of a pulpit" and prepared his life's work at the greatest English centre for formal homiletics of its time, Christ's College, Cambridge, but this connection has been virtually ignored by scholars and critics in examining Milton's poetry.

Lares now challenges the longstanding assumption that Milton the poet paid no attention to the ministerial training of his past, and she demonstrates how Milton appropriated many structures from English preaching in his own work. That preaching was informed by five sermon types - doctrine, reproof, correction, instruction and consolation - first enunciated by the continental reformer Andreas Gerhard Hyperius (1511-1564). Milton, we find, favoured an odd combination of correction and consolation. Of all the preaching manuals published in England during the sixteenth and seventeenth centuries, only one so combines consolation and correction: Methodus concionandi by William Chappell, Milton's first tutor at Christ's College, Cambridge.

Milton's use of homiletics, as explained by Lares, may be used in particular to resolve many critical issues related to the last two books of Paradise Lost, which are composed of Adam's dream vision and Michael's narration thereof. These diffuse books, which scholars have been unable to place into any critical paradigm, are actually sermonic in structure and content. And Paradise Regained, in which Milton seems to reject classical rhetoric, actually reflects then-contemporary pulpit concerns over the stylistic inadequacy of the Bible. Moreover, Milton's prose commentaries - often deplored as strident and uncharitable - follow the structure of a sermon of reproof.

Of interest to both literary scholars and scholars of church history and homiletics, Milton and the Preaching Arts also surveys sermons and sermon manuals, Bible commentaries, and works of religious controversy on the issues of English church government and scriptural style.

Reviews and Comments

"thoroughly historicised. It has an admirably clear introduction ... an impressive work of scholarship"
Literature and History

"This book is written with an apparent fascination with, and closeness to, the topic, and this results in a highly enthralling and reader-friendly text ... she achieves a smooth and confident presentation"
Rhetorical Review

About the Author

Jameela Lares is associate professor of English at the University of Southern Mississippi. She is also a contributing editor to the forthcoming Milton Variorum volume on Paradise Lost.