The second volume of the authoritative biography of the war poet and novelist Richard Aldington, exploring his later public and private lives and writings.
Trade Information: LGENPOD
Available as: Paperback (eBook edition available soon)
Specifications: 234x156mm (9.21x6.14in), 416pp
Published: July 2019
The story of Richard Aldington, outstanding Imagist poet and author of the bestselling war novel Death of a Hero (1929), takes place against the backdrop of some of the most turbulent and creative years of the twentieth century.
Vivien Whelpton provides a remarkably detailed and sensitive portrayal of the writer from the age of thirty-eight to his death from a heart attack in 1962. The first volume, Richard Aldington: Poet, Soldier and Lover 1911–1929, described Aldington's life as a stalwart of the pre-war London literary scene, his experience as an infantryman on the Western Front and his postwar personal and creative crises; this second volume seeks to balance the stories of Aldington's subsequent public and private lives through a careful reading of his novels, poems and letters with his circle of acquaintances.
The ways in which Aldington's dysfunctional childhood and survivor's guilt continued to haunt him through the inter-war years and beyond are masterfully untangled by an author with gifted psychological insight into her subject. Volume Two covers Aldington's personal and public lives as he transformed himself from poet to novelist and from novelist to biographer and explores his debacles and triumphs, particularly in the wake of his hugely controversial attack on the reputation of T.E. Lawrence. This authoritative biography recounts the life of one of the most underrated writers of the last century.
List of Illustrations
Part One: The Wanderer, 1930–1936
1. A Sociable Life: Travel, Friendship and Patronage, 1930–1931
2. A Sociable Life: France, 1930-1933
3. A Sociable Life: Italy – Further Friendships, 1930–1932
4. The Public Face: Critic and Satirist
5. The Public Face: Elegist and Romantic
6. The Social Life Fragments, 1932–1936
7. The Public Face: Reviewer, Philosopher and Essayist
8. The Private Life: Leading a Double Life, 1930–1936
9. The Private Life: Meltdown, 1936–1937
Part Two: The Exile, 1937–1950
10. Divorce, 1937–1938
11. A Crystal World? 1937–1939
12. The New World – Again, 1939–1942
13. A New Life – Hollywood, 1942–1946
14. The Public Face: Novelist, Biographer, Memoirist and Anthologist
Part Three: The Recluse, 1951–1962
15. Back to the Old World, 1946–1947
16. The Sociable Life: Paradise Regained – and Lost, 1947–1949
17. The Public Face: The Old Loyalties
18. The Private Life: Crisis, 1950
19. The Public Face: Disaster
20. Private and Public Lives: Trials of Endurance, 1951–1957
21. A Solitary Life, 1957–1962
22. From Tragedy to Triumph, 1961–1962
Vivien Whelpton is a former teacher of English and Media Studies with a special interest in the literature of the First World War. She has written journal articles and monographs in this field. She has an M.A. in War Studies and has conducted tours of the Western Front for several years. Her first volume, Richard Aldington: Poet, Soldier and Lover (The Lutterworth Press, 2014), was shortlisted for The Biographers' Club Tony Lothian Prize in 2011.
Vivien Whelpton's two-part biography of the writer Richard Aldington is a formidable achievement. This second volume illuminates the world of English letters from the Thirties to the Sixties while deftly charting the fluctuations of Aldington's career and personal life. Whelpton's scrupulous account of his latter years, and of how the controversy surrounding his book Lawrence of Arabia: A Biographical Enquiry brought his reputation and career to premature collapse, is a heartening demonstration of scholarly and fair-minded literary biography at its best. Adrian Barlow, The English Association
This meticulously researched book draws on extensive archival material to present a nuanced, thorough, and highly readable account of Richard Aldington's life in the years after the publication of Death of a Hero. Whelpton unfailingly guides her reader through the maze of difficult personal and literary relationships that were so characteristic of Aldington and, as she did in the first volume of this two-part biography, makes a compelling argument for his continued importance to literary history. Professor Elizabeth Vandiver, Whitman College